Thank You, Adirondack Plays

I learned today that my play “Encore, Encore” is going to be included in a new play anthology sponsored by the new publishing group Adirondack Plays.

Adirondack Plays bills itself as a group helping to connect directors across the United States with exciting and valuable new theatrical new work. Those directors who do want to produce new work typically have to send out a submission call that may solicit a large number of responses – the vast majority of them unusable. Adirondack Plays seeks to remove the intense work involved in trudging through a whole host of new plays so that directors can find what they need with greater ease.

The group itself is a new addition to the theatrical scene and founded by a professional publisher of marketing and educational material. There will be a number of different anthologies in the series: “Mostly Female,” “Social Justice,” “LBGTQ,” “Black Box,” High School One Acts,” “For Churches,” and “Award-Winning.” “Encore, Encore” is being included in the “Black Box” anthology. The anthologies won’t be available until roughly the middle of next year.

Many thanks to Adirondack Plays for their faith in my work!

“Encore, Encore” (literally!)

My play “Encore, Encore” has just been announced as the winner of the Inkslinger Playwriting Competition. The competition is sponsored by Southeastern Louisiana University of Hammond, Louisiana.

SLUSoutheastern Louisiana University is “the state’s third-largest public university, boasting more than 15,600 students and more than 60 degree programs.” The organization attained university status in 1970 and was the fast-growing college in the United States in the 1990’s. SLU (as it is called) consists of five colleges with 26 academic departments and programs offering a total of 71 degree programs (4 associate degree programs, 48 baccalaureate degree programs, and 19 graduate degree programs)

The Inkslinger Playwriting Competition was founded in 2014 by Associate Professor of Theatre Jim Winter, making “Encore, Encore” the second winner of the festival.

“Encore, Encore” will be given four performances from March 8-March11, 2016 and is already on the calendar of the university’s 2016 theatrical season:

EE Announcement SLUMany thanks to Southeastern Louisiana University for this great honor!!

Great job, NKU!

I want to take this opportunity to thank Northern Kentucky University for a great production run of my play “Encore, Encore!” The Y.E.S. Festival ended this evening with a wonderful 5-show run of my play and two other great plays by David L. Williams and Joe Starzyk.

Kudos to Northern Kentucky University for hosting such an expansive and generous new play festival. It’s very rare to find an institution that invests so much in new work and does so much to give playwrights the opportunity to see their work given a full production.

Thanks to Rick Pender

Theater critic Rick Pender (who wrote a nice review of “Encore, Encore” – see here) gave the play another quick nod before its close this Saturday.

“If you’re into works that are hot off the press, you have this weekend to still catch productions at Northern Kentucky University’s Y.E.S. Festival, onstage through Sunday. The best of them is Colin Speers Crowley’s Encore, Encore, making its final performances on Saturday at 8 p.m. It’s about the caustic drama critic Dorothy Parker and her sad, failed marriage; well-written and sparklingly performed by a student cast, directed by Ed Cohen.”

Many thanks to Mr. Pender for his support!

Review #2 of “Encore, Encore”

I’m pleased to say that “Encore, Encore” was reviewed by Rick Pender of the Cincinnati CityBeat. Mr. Pender is Managing Editor of The Sondheim Review and also past chairman of the America Theatre Critics Association. He wrote a very favorable review of the play and gave well-deserved accolades to some of the play’s cast.

You can read a full copy of the review here – but here are some highlights:

“I caught Crowley’s excellent tragicomedy Encore, Encore on Monday evening. Parker was a founding member and initially the only woman in New York City’s legendary Algonquin Round Table, a group of renowned columnists, playwrights and satirists in the 1920s. The play traces her meteoric writing career and her turbulent personal life. We see her become established as the sharp-tongued drama critic for Vanity Fair, and we witness the deterioration of her marriage.

NKU senior Victoria Hawley played the central role in a production directed by veteran guest director Ed Cohen. Crowley’s play, which uses Parker as its narrator as well as its central character, digs deep, providing a portrait of a vulnerable woman who lived her life in the spotlight and never found real happiness.
 
Hawley portrays her from her first confident days at Vanity Fair, through her friendships and relationships with New York’s literary elite. She was known as flippant and brittle, a source of quick-witted, often obscene remarks, and Hawley handles them well — while also conveying Parker’s frustration and vulnerability.

NKU junior Hunter Henrickson rises to the challenge of playing Parker’s husband Eddie. He went off to World War I in France almost immediately after their marriage, returning after two brutal years in the field nursing service, shell-shocked and seriously dependent. Her intervening success became a source of friction and embarrassment between them. Henrickson showed Eddie’s initial, inebriated charm and did a fine job of playing the broken man he became. The show’s other fine performance came from junior Connor Moulton as Parker’s brash writing friend Robert Benchley, a steady source of insouciant foolishness.”

Review #1 of “Encore, Encore”

“Encore, Encore” received a great review the other day from the independent student newspaper of Northern Kentucky University – “The Northerner.”

You can read the full review here – but here are some highlights:

“Dorothy Parker’s quick wit, silver tongue, and harsh criticism made her one of the greatest voices of the early 20th century. Behind her rough exterior, however, lied a tragic, tormented soul that wanted nothing more but to leave behind her home life. This is “Encore, Encore.”

….

Playwright Colin Speer Crowley does a wonderful job of guiding the audience through Parker’s life, touching on the many facets of early 20th century life. It was America’s first taste of war on a global scale, and the toll that combat took on the brave men in The Great War was not brushed aside in “Encore, Encore.”

….

Tonally, “Encore, Encore” goes back and forth, but it never feels confused or rushed. Dorothy is always quick to make a clever retort or double entendre, even in the most dire of situations. There was always an ever-present feeling that beneath the humor, charm, and wit, there were dark feelings and emotions right behind it – as if the terrible situations Dorothy faced had to be masked by her critical persona.

….

The overall plot has a tendency to hop around from time period to time period. At times, it confused me when a certain sequence would occur in the timeline of the entire play, but by the end all of the plot points were honed in and made perfect sense. Characters would cross paths in different periods, making emotional impacts later in the play hit even harder.

….

“Encore, Encore” feels like a great start to NKU’s Y.E.S. Festival, offering both the hilarious and harrowing escapades of one Dorothy Parker.”

Great opening show!

My sincere congratulations to the cast and crew of “Encore, Encore” for the wonderful opening night performance of my play! “Encore, Encore” opened the Y.E.S. Festival of New Plays after a great reception dinner hosted by the university.

A special thanks to:

Sandra Forman, theater professor and festival chairwoman, for her kind generosity and for so expertly organizing this very special festival.

Ed Cohen, superb Cincinnati director, who gave life to the play like no other and who squeezed an unknown amount of artistry out of it.

Also Josh Newman (costume designer), Chris Carter (lighting designer), Kevin Havlin (sound designer), and stage manager Amanda Miller.

…and, of course, I must give a special shout-out to a WONDERFUL cast who positively charmed the audience and really made the play shine.

  • Dorothy Parker…………………..Victoria Hawley
  • Eddie Parker…………………..Hunter Henrickson
  • Robert Benchley…………………Connor Moulton
  • Robert Sherwood……………..Andrew Wiemann
  • Frank Crowninshield…………….Chandler Taylor
  • Alexander Woollcott (etc.)…..Melissa Cathcart
  • Charles MacArthur (etc.)……………Andy Burns

Break a leg, everyone – four more performances to go!

To Kentucky I go

I arrived in Kentucky today to see the opening of my play “Encore, Encore” at the Y.E.S. Festival of New Plays. I will be attending the final dress rehearsal of the play tonight in preparation for the big day tomorrow. I will also be teaching a class tomorrow at Northern Kentucky University entitled “Writing Historical Drama – From Concept to Conclusion.”

Local critic Jackie Demaline has written a great article about the Y.E.S. Festival, including a spot on “Encore, Encore”- which you can read here!

Many thanks to Northern Kentucky University for this truly wonderful opportunity and experience!

Dorothy Parker

YES Festival premieres this week

The Y.E.S. Festival at Northern Kentucky University is premiering later this week and I am very excited to be able to attend. My show “Encore, Encore” is opening the festival on Thursday, April 16th.

NKU FestivalLocal theater critic Jackie Demaline has mentioned my play as a show not to be missed in the greater Cincinnati area.

Also check out this nifty piece about the upcoming festival week from Cincinnati.com contributor David Wyman.