“The House We Build Here”

I’m excited to be able to share a demo of another song from my musical with composer Norman L. Berman – “Paul Jennings and The Burning of the White House.”

As I’ve previously mentioned, this musical is based on the early life of Paul Jennings, 15-year-old house slave to President and Dolley Madison, who witnessed and survived the 1814 British invasion and burning of Washington, DC during the War of 1812. The musical traces Paul’s journey of growth and self-discovery from boy to man and his growing awareness of his status as a slave in American society. It also charts his perilous navigation of the dramas surrounding the British conquest of the capital.

This song – “The House We Build Here” – is a choral number sung towards the end of the play after the British army has burned Washington and Paul, President Madison, Dolley Madison, and some other slaves have returned to the burnt-out shell of the White House. Together, the assembled crowd dreams of what the new White House will look like. The young Paul – watched by his older self, who narrates the musical – envisions something different, more practical the others.

Charred White House

Ensemble:  Alvin Chea, Shabnam Kalbasi, Olly Sholotan, Lisa Vroman

You can listen to the song below.

 

Demo recording – “I Look Behind Me”

I’m happy to present another wonderful demo recording of one of the songs from the new musical I’m writing with co-librettist and composer Norman L. Berman.

Portrait of James Madison

The project – entitled “Paul Jennings & The Burning of the White House” – follows Paul Jennings, the 15-year-old house slave to President and Mrs. Madison, as he navigates the horrors of war and slavery, while treasuring deep, conflicting relationships with the first couple of the land.

The demo recorded below is from the beginning of Act Two; the British have captured Washington, DC and a distraught, defeated James Madison (above), having fled the field of battle and witnessed the destruction of a country he helped build, ponders his role in the nation’s catastrophe.

The song uses the wonderful vocal talent of Luc Kleiner.

Many thanks again to my collaborator, Norman, for arranging and coordinating this effort!

Demo: “I LOOK BEHIND ME”

 

Demo recording – “Inferno!”

I’m happy to present another wonderful demo recording of one of the songs from the new musical I’m writing with co-librettist and composer Norman L. Berman –“Paul Jennings & The Burning of the White House”.

George Cockburn

The project concerns the young Paul Jennings, slave to James and Dolley Madison, President and First Lady of the United States in the early 1800’s, and his experience of the British occupation of Washington, DC. One very powerful scene early in Act Two involves the young slave being present as the British, having conquered the capital city, led by the acerbic, blustery Admiral George Cockburn, decide to burn down the White House.

The demo record below is from this scene in the play; Admiral Cockburn is exhorting the British soldiers to burn down the Presidential Palace and the entire city along with it.

The song uses the wonderful vocal talents of Keith ColClough (Admiral Cockburn) with back-up from Joshua Finkel, Gordon Goodman, Tonuccus McClain, and Dink O’Neal.

Many thanks yet again to my collaborator, Norman, for arranging and coordinating this effort!

Demo: “INFERNO!”

Demo recording – “Here I Is”

I’m happy to present a wonderful demo recording of one of the songs from the new musical I’m writing with co-librettist and composer Norman L. Berman.

The Burning of the White House

The project – entitled “Paul Jennings & The Burning of the White House” – is an original musical about Paul Jennings, the 15-year-old house slave to President and Mrs. Madison, who discovers his true heroism, strength, and purpose living through one of the most momentous event in the nation’s history –   the burning of the White House.

The demo recorded below is from the end of Act One; the war of 1812 is raging, the British army is approaching the capital, and there is general fear that slaves throughout the country will revolt – but young Paul, as recalled by his older, wiser self, sings to his mistress, Dolley Madison, about his devotion to her, as well as his desire for freedom.

The song uses the wonderful vocal talent of Alvin Chea and Tonoccus McClain.

Many thanks to my collaborator, Norman, for arranging and coordinating this effort!

Demo: “HERE I IS

 

Songs from “Memory”

Check out this marvelous audio recording from the recent concert of the rock opera “Memory” that was presented at the DiMenna Center (NYC) on October 21, 2016.

Many, many thanks to Andrew Seligson for his beautiful music and to Christopher Sokolowski, Claudillea Holloway, and William Guango Su for their beautiful voices.

The links below are some of the top samples from the show – music and dialogue being interwoven:

PS: “Scene Two” is especially good!